Représenter les espaces de la Seconde Guerre mondiale dans les FPS

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Abstract

This article examines the spatial representations of the Second World War in the FPS genre. Based on an exhaustive analysis of single-player and multiplayer environments of three franchises, the aim is to show the discourses, conscious or induced by videogame spaces. The article proposes an analysis of the most immediately observable elements, as well as those designers consider to be unthought of, but which together construct a specific imaginary and memory of the Second World War.